Karson Schenk
Colbert Ferry - Relationships to Lands in the Tennessee River Valley
Colbert Ferry is an experimental animation that questions relationships to land through family experience and local industry. This work is grounded in research asserting that landscapes are instruments of power; constructions and reflections of the majority culture present within a place. The audience passes over Colbert Ferry, historically a Chickasaw ferry operation that aided settlers' journeys along the Natchez Trace in the early 1800s. This work intends to expose the implications of settler colonialism heralding extractive industry as an unsaid norm. This work comes at a time in which land carries a new and greater meaning than ever before. Land as a place of refuge amidst the pandemic, climate change, and the opportunity to evaluate habits and the "norm" of how land is thought about, treated, and maintained. In a fusion of paper collage, animation, and film, this work is a metaphor for the state of landscapes in the US. Photos, and the memories they contain, are in constant transformation; ripping, layering, and creating new memory. Colbert Ferry is a shift from a global environmental focus, to a localized one, seeking to understand and shift the root attitudes towards land that allows for its unprecedented destruction.Animated short film made with paper collage, photos, film, and archival materials.
Booklet including 10 collages from the film, along with prompts to explore your own relationship to land.
Pickwick Dam – Paper Collage
MaMa’s Place – Paper Collage
Initial ideation of Colbert Ferry – The river is made of National Geographic articles pertaining to the Tennessee River. Paper Collage
This didn’t make it into the final film, but it was so exciting to experiment with! This is a Redwolf, highly endangered in the US south.
Mt. Gilead Road – Paper Collage
Mt. Gilead 2 – Paper Collage
Route 72 – Paper Collage
Tishomingo State Park – Paper Collage