{"id":43,"date":"2020-04-07T10:00:58","date_gmt":"2020-04-07T14:00:58","guid":{"rendered":"http:\/\/stampsprod.wpengine.com\/?page_id=12"},"modified":"2021-04-22T13:00:22","modified_gmt":"2021-04-22T13:00:22","slug":"senior-exhibition","status":"publish","type":"page","link":"https:\/\/www.stampsgrads.org\/classof2021\/senior-exhibition\/","title":{"rendered":"Senior Exhibition"},"content":{"rendered":"

[et_pb_section fb_built=”1″ fullwidth=”on” _builder_version=”4.4.2″][et_pb_fullwidth_image src=”https:\/\/www.stampsgrads.org\/classof2021\/wp-content\/uploads\/sites\/3\/2021\/03\/2021-senior_show_banner-scaled.jpg” alt=”Senior Show Banner” title_text=”2021-senior_show_banner” _builder_version=”4.9.0″][\/et_pb_fullwidth_image][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”4.4.2″][et_pb_row _builder_version=”4.4.2″][et_pb_column type=”4_4″ _builder_version=”4.4.2″][et_pb_text admin_label=”intro” _builder_version=”4.9.0″ text_orientation=”center” hover_enabled=”0″ sticky_enabled=”0″]<\/p>\n

Please Stand By: The 2021 Stamps School Senior Exhibition<\/h1>\n

Please Stand By: The 2021 Stamps School Senior Exhibition<\/em> is a digital celebration of the cumulative projects from students in the Stamps School\u2019s Integrative Project and Stamps Senior Studios courses. The exhibition features work in a range of media by BA, BFA, and Interarts Performance students.<\/p>\n

Virtual Exhibition Reception<\/h3>\n

Join Stamps Gallery for a virtual reception on Friday, April 30<\/strong> from 4-6:30 pm ET<\/strong> on Zoom.\u00a0The event will kick off with welcome remarks by Dean Gunalan Nadarajan and faculty, followed by a series of media-based conversations hosted by faculty members and led by student facilitators. These meetings will offer students, families, and friends the opportunity to engage in lively discussions about their processes, challenges, and triumphs. Attendees are free to join and move between any of the meetings during each hour of the program.<\/p>\n

For full schedule information, please see: Please Stand By\u2026 2021 Senior Virtual Exhibition<\/span><\/a><\/p>\n

 <\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”4.4.2″ background_color=”#0c93bb”][et_pb_row _builder_version=”4.4.2″ width=”90%” max_width=”1400px”][et_pb_column type=”4_4″ _builder_version=”4.4.2″][et_pb_text _builder_version=”4.4.2″ text_orientation=”center” background_layout=”dark”]<\/p>\n

Student Work<\/h2>\n

<\/div>[\/et_pb_text][et_pb_text admin_label=”facet template” _builder_version=”4.4.2″ background_layout=”dark”]
\n\n
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\n\n \n \n \n Emily Albright<\/a>\n \n \t\n\t \n \n \t\n\t \n \n \t\n\t \n \n \t\n\t \n \n \t\n\t \n \n \t\n\t \n \n \n\n\n\n <\/div>\n
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Emily Albright<\/a><\/p>\n

Camp Courage<\/p>\n <\/div>\n <\/div>\n <\/div>\n<\/div>\n\n

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\n\n \n \n \n Emily Bartlett<\/a>\n \n \t\n\t \n \n \t\n\t \n \n \t\n\t \n \n \t\n\t \n \n \t\n\t \n \n \t\n\t \n \n \t\n\t \n \n \n\n\n\n <\/div>\n
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Emily Bartlett<\/a><\/p>\n

The Intimate Expanse<\/p>\n <\/div>\n <\/div>\n <\/div>\n<\/div>\n\n

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\n\n \n \n \n Steph Bloom<\/a>\n \n \t\n\t \n \n \t\n\t \n \n \t\n\t \n \n \t\n\t \n \n \t\n\t \n \n \t\n\t \n \n \t\n\t \n \n \t\n\t \n \n \t\n\t \n \n \t\n\t \n \n \n\n\n\n <\/div>\n
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Steph Bloom<\/a><\/p>\n

Sublima<\/p>\n <\/div>\n <\/div>\n <\/div>\n<\/div>\n\n

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\n\n \n \n \n Isabella Brand<\/a>\n \n \t\n\t \n \n \t\n\t \n \n \t\n\t \n \n \t\n\t \n \n \t\n\t \n \n \t\n\t \n \n \t\n\t \n \n \t\n\t \n \n \t\n\t \n \n \t\n\t \n \n \n\n\n\n <\/div>\n
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Isabella Brand<\/a><\/p>\n

What Now?<\/p>\n <\/div>\n <\/div>\n <\/div>\n<\/div>\n\n

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\n\n \n \n \n Tyler Brown<\/a>\n \n \t\n\t \n \n \t\n\t \n \n \t\n\t \n \n \t\n\t \n \n \t\n\t \n \n \t\n\t \n \n \t\n\t \n \n \n\n\n\n <\/div>\n
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Tyler Brown<\/a><\/p>\n

Amicia<\/p>\n <\/div>\n <\/div>\n <\/div>\n<\/div>\n\n

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\n\n Rachel Buck<\/a>\n\n \n\n\n\n <\/div>\n
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Rachel Buck<\/a><\/p>\n

A Dog Named Desire<\/p>\n <\/div>\n <\/div>\n <\/div>\n<\/div>\n\n

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\n\n \n \n \n Allie Burns<\/a>\n \n \t\n\t \n \n \n\n\n\n <\/div>\n
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Allie Burns<\/a><\/p>\n

Marys Anonymous<\/p>\n <\/div>\n <\/div>\n <\/div>\n<\/div>\n\n

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\n\n \n \n \n Jay Campbell<\/a>\n \n \t\n\t \n \n \t\n\t \n \n \t\n\t \n \n \t\n\t \n \n \t\n\t \n \n \t\n\t \n \n \t\n\t \n \n \t\n\t \n \n \t\n\t \n \n \n\n\n\n <\/div>\n
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Jay Campbell<\/a><\/p>\n

Sketchy: Interrogating Fascist Flirtations in Punk<\/p>\n <\/div>\n <\/div>\n <\/div>\n<\/div>\n\n

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\n\n \n \n \n Sara Carrier<\/a>\n \n \t\n\t \n \n \t\n\t \n \n \t\n\t \n \n \t\n\t \n \n \t\n\t \n \n \t\n\t \n \n \n\n\n\n <\/div>\n
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Sara Carrier<\/a><\/p>\n

\"Pulp\"<\/p>\n <\/div>\n <\/div>\n <\/div>\n<\/div>\n\n

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\n\n \n \n \n Noah Caspar<\/a>\n \n \t\n\t \n \n \t\n\t \n \n \t\n\t \n \n \t\n\t \n \n \t\n\t \n \n \t\n\t \n \n \t\n\t \n \n \t\n\t \n \n \t\n\t \n \n \n\n\n\n <\/div>\n
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Noah Caspar<\/a><\/p>\n

Endless Column<\/p>\n <\/div>\n <\/div>\n <\/div>\n<\/div>\n\n

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\n\n \n \n \n XiaoYu Che<\/a>\n \n \t\n\t \n \n \t\n\t \n \n \t\n\t \n \n \t\n\t \n \n \t\n\t \n \n \t\n\t \n \n \t\n\t \n \n \t\n\t \n \n \n\n\n\n <\/div>\n
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XiaoYu Che<\/a><\/p>\n

Mural Town<\/p>\n <\/div>\n <\/div>\n <\/div>\n<\/div>\n\n

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\n\n \n \n \n Sophia Chen<\/a>\n \n \t\n\t \n \n \t\n\t \n \n \n\n\n\n <\/div>\n
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Sophia Chen<\/a><\/p>\n

<\/p>\n <\/div>\n <\/div>\n <\/div>\n<\/div>\n\n

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\n\n Emily Considine<\/a>\n\n \n\n\n\n <\/div>\n
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Emily Considine<\/a><\/p>\n

Identicons<\/p>\n <\/div>\n <\/div>\n <\/div>\n<\/div>\n\n

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\n\n \n \n \n Grace Coudal<\/a>\n \n \t\n\t \n \n \t\n\t \n \n \t\n\t \n \n \t\n\t \n \n \t\n\t \n \n \t\n\t \n \n \t\n\t \n \n \n\n\n\n <\/div>\n
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Grace Coudal<\/a><\/p>\n

To Be Held By You<\/p>\n <\/div>\n <\/div>\n <\/div>\n<\/div>\n\n

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\n\n \n \n \n Phoebe Danaher<\/a>\n \n \t\n\t \n \n \t\n\t \n \n \t\n\t \n \n \t\n\t \n \n \t\n\t \n \n \t\n\t \n \n \t\n\t \n \n \t\n\t \n \n \t\n\t \n \n \t\n\t \n \n \n\n\n\n <\/div>\n
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Phoebe Danaher<\/a><\/p>\n

Charlie Blood<\/p>\n <\/div>\n <\/div>\n <\/div>\n<\/div>\n\n

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\n\n Anna DeLuca<\/a>\n\n \n\n\n\n <\/div>\n
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Anna DeLuca<\/a><\/p>\n

The Person in the Body<\/p>\n <\/div>\n <\/div>\n <\/div>\n<\/div>\n\n

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\n\n \n \n \n Yeager Edwards<\/a>\n \n \t\n\t \n \n \t\n\t \n \n \t\n\t \n \n \t\n\t \n \n \t\n\t \n \n \t\n\t \n \n \t\n\t \n \n \t\n\t \n \n \t\n\t \n \n \t\n\t \n \n \n\n\n\n <\/div>\n
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Yeager Edwards<\/a><\/p>\n

GridRidden<\/p>\n <\/div>\n <\/div>\n <\/div>\n<\/div>\n\n

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\n\n Mary Finch<\/a>\n\n \n\n\n\n <\/div>\n
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Mary Finch<\/a><\/p>\n

The Disquiet Mind<\/p>\n <\/div>\n <\/div>\n <\/div>\n<\/div>\n\n

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\n\n \n \n \n Maddie Fox<\/a>\n \n \t\n\t \n \n \t\n\t \n \n \t\n\t \n \n \t\n\t \n \n \t\n\t \n \n \t\n\t \n \n \t\n\t \n \n \n\n\n\n <\/div>\n
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Maddie Fox<\/a><\/p>\n

The Time We Spent<\/p>\n <\/div>\n <\/div>\n <\/div>\n<\/div>\n\n

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\n\n \n \n \n Kate Grabowsky<\/a>\n \n \t\n\t \n \n \t\n\t \n \n \t\n\t \n \n \t\n\t \n \n \t\n\t \n \n \t\n\t \n \n \t\n\t \n \n \t\n\t \n \n \n\n\n\n <\/div>\n
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Kate Grabowsky<\/a><\/p>\n

Grounding Light<\/p>\n <\/div>\n <\/div>\n <\/div>\n<\/div>\n\n

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\n\n \n \n \n Emily Greatorex<\/a>\n \n \t\n\t \n \n \t\n\t \n \n \t\n\t \n \n \n\n\n\n <\/div>\n
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Emily Greatorex<\/a><\/p>\n

Tension & Trust<\/p>\n <\/div>\n <\/div>\n <\/div>\n<\/div>\n\n

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\n\n \n \n \n Miriam Greenberg<\/a>\n \n \t\n\t \n \n \n\n\n\n <\/div>\n
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Miriam Greenberg<\/a><\/p>\n

Build Your Brand<\/p>\n <\/div>\n <\/div>\n <\/div>\n<\/div>\n\n

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\n\n \n \n \n Emma Greenebaum<\/a>\n \n \t\n\t \n \n \n\n\n\n <\/div>\n
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Emma Greenebaum<\/a><\/p>\n

Hair and Time<\/p>\n <\/div>\n <\/div>\n <\/div>\n<\/div>\n\n

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\n\n \n \n \n Emma Greschak<\/a>\n \n \t\n\t \n \n \n\n\n\n <\/div>\n
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Emma Greschak<\/a><\/p>\n

Field Guide to the Beasts of Art School<\/p>\n <\/div>\n <\/div>\n <\/div>\n<\/div>\n\n

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\n\n \n \n \n Natalie Guisinger<\/a>\n \n \t\n\t \n \n \t\n\t \n \n \t\n\t \n \n \t\n\t \n \n \t\n\t \n \n \t\n\t \n \n \t\n\t \n \n \t\n\t \n \n \n\n\n\n <\/div>\n
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Natalie Guisinger<\/a><\/p>\n

In With the Old<\/p>\n <\/div>\n <\/div>\n <\/div>\n<\/div>\n\n

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\n\n \n \n \n Kai Hamill<\/a>\n \n \t\n\t \n \n \t\n\t \n \n \t\n\t \n \n \t\n\t \n \n \t\n\t \n \n \t\n\t \n \n \n\n\n\n <\/div>\n
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Kai Hamill<\/a><\/p>\n

Kitchen : Comfort<\/p>\n <\/div>\n <\/div>\n <\/div>\n<\/div>\n\n

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\n
\n\n Ansleigh Hamilton<\/a>\n\n \n\n\n\n <\/div>\n
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Ansleigh Hamilton<\/a><\/p>\n

Biting My Tongue<\/p>\n <\/div>\n <\/div>\n <\/div>\n<\/div>\n\n

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\n\n \n \n \n Emily Harris<\/a>\n \n \t\n\t \n \n \t\n\t \n \n \t\n\t \n \n \t\n\t \n \n \t\n\t \n \n \n\n\n\n <\/div>\n
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Emily Harris<\/a><\/p>\n

Emotional Illustration Diary<\/p>\n <\/div>\n <\/div>\n <\/div>\n<\/div>\n\n

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\n\n Eliana Harrison<\/a>\n\n \n\n\n\n <\/div>\n
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Eliana Harrison<\/a><\/p>\n

HelloChanges Sex Education App<\/p>\n <\/div>\n <\/div>\n <\/div>\n<\/div>\n\n

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\n\n Ashley Holland<\/a>\n\n \n\n\n\n <\/div>\n
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Ashley Holland<\/a><\/p>\n

marble<\/p>\n <\/div>\n <\/div>\n <\/div>\n<\/div>\n\n

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\n\n \n \n \n Junpyo Hong<\/a>\n \n \t\n\t \n \n \t\n\t \n \n \t\n\t \n \n \t\n\t \n \n \t\n\t \n \n \t\n\t \n \n \t\n\t \n \n \t\n\t \n \n \t\n\t \n \n \t\n\t \n \n \n\n\n\n <\/div>\n
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Junpyo Hong<\/a><\/p>\n

<\/p>\n <\/div>\n <\/div>\n <\/div>\n<\/div>\n\n

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\n\n Lee Hubbel<\/a>\n\n \n\n\n\n <\/div>\n
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Lee Hubbel<\/a><\/p>\n

Gender Euphoria<\/p>\n <\/div>\n <\/div>\n <\/div>\n<\/div>\n\n

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\n\n \n \n \n Eloise Janssen<\/a>\n \n \t\n\t \n \n \t\n\t \n \n \t\n\t \n \n \t\n\t \n \n \t\n\t \n \n \t\n\t \n \n \t\n\t \n \n \t\n\t \n \n \t\n\t \n \n \n\n\n\n <\/div>\n
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Eloise Janssen<\/a><\/p>\n

Study of Trash<\/p>\n <\/div>\n <\/div>\n <\/div>\n<\/div>\n\n

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\n\n Jenna Johnson<\/a>\n\n \n\n\n\n <\/div>\n
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Jenna Johnson<\/a><\/p>\n

Becoming the Body of My Mind<\/p>\n <\/div>\n <\/div>\n <\/div>\n<\/div>\n\n

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\n\n Kaylee Johnson<\/a>\n\n \n\n\n\n <\/div>\n
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Kaylee Johnson<\/a><\/p>\n

Galactic<\/p>\n <\/div>\n <\/div>\n <\/div>\n<\/div>\n\n

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\n\n \n \n \n Sara Kenward<\/a>\n \n \t\n\t \n \n \t\n\t \n \n \t\n\t \n \n \t\n\t \n \n \t\n\t \n \n \t\n\t \n \n \t\n\t \n \n \t\n\t \n \n \t\n\t \n \n \t\n\t \n \n \n\n\n\n <\/div>\n
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Sara Kenward<\/a><\/p>\n

I will...<\/p>\n <\/div>\n <\/div>\n <\/div>\n<\/div>\n\n

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\n\n \n \n \n Atharva Kharkar<\/a>\n \n \t\n\t \n \n \t\n\t \n \n \t\n\t \n \n \n\n\n\n <\/div>\n
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Atharva Kharkar<\/a><\/p>\n

<\/p>\n <\/div>\n <\/div>\n <\/div>\n<\/div>\n\n

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\n\n \n \n \n Valerie Le<\/a>\n \n \t\n\t \n \n \t\n\t \n \n \t\n\t \n \n \t\n\t \n \n \t\n\t \n \n \t\n\t \n \n \t\n\t \n \n \n\n\n\n <\/div>\n
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Valerie Le<\/a><\/p>\n

Skating Tree Town<\/p>\n <\/div>\n <\/div>\n <\/div>\n<\/div>\n\n

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\n\n \n \n \n Helen Lee<\/a>\n \n \t\n\t \n \n \t\n\t \n \n \t\n\t \n \n \t\n\t \n \n \t\n\t \n \n \t\n\t \n \n \t\n\t \n \n \t\n\t \n \n \n\n\n\n <\/div>\n
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Helen Lee<\/a><\/p>\n

Plant Book<\/p>\n <\/div>\n <\/div>\n <\/div>\n<\/div>\n\n

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\n\n \n \n \n Sunjae Lee<\/a>\n \n \t\n\t \n \n \t\n\t \n \n \t\n\t \n \n \t\n\t \n \n \t\n\t \n \n \t\n\t \n \n \t\n\t \n \n \t\n\t \n \n \n\n\n\n <\/div>\n
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Sunjae Lee<\/a><\/p>\n

Pinkman<\/p>\n <\/div>\n <\/div>\n <\/div>\n<\/div>\n\n

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\n\n Hannah Levine-Drizin<\/a>\n\n \n\n\n\n <\/div>\n
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Hannah Levine-Drizin<\/a><\/p>\n

Again<\/p>\n <\/div>\n <\/div>\n <\/div>\n<\/div>\n\n

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\n\n \n \n \n Sophie Levit<\/a>\n \n \t\n\t \n \n \t\n\t \n \n \t\n\t \n \n \t\n\t \n \n \t\n\t \n \n \t\n\t \n \n \t\n\t \n \n \t\n\t \n \n \n\n\n\n <\/div>\n
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Sophie Levit<\/a><\/p>\n

Corona Collective<\/p>\n <\/div>\n <\/div>\n <\/div>\n<\/div>\n\n

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\n\n \n \n \n Ellie Levy<\/a>\n \n \t\n\t \n \n \t\n\t \n \n \t\n\t \n \n \t\n\t \n \n \t\n\t \n \n \t\n\t \n \n \t\n\t \n \n \t\n\t \n \n \t\n\t \n \n \t\n\t \n \n \n\n\n\n <\/div>\n
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Ellie Levy<\/a><\/p>\n

Parasitic Vessels: Forms of Disuse<\/p>\n <\/div>\n <\/div>\n <\/div>\n<\/div>\n\n

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\n\n \n \n \n Dakota Lewis<\/a>\n \n \t\n\t \n \n \t\n\t \n \n \t\n\t \n \n \t\n\t \n \n \t\n\t \n \n \t\n\t \n \n \t\n\t \n \n \t\n\t \n \n \t\n\t \n \n \t\n\t \n \n \n\n\n\n <\/div>\n
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Dakota Lewis<\/a><\/p>\n

Osumura<\/p>\n <\/div>\n <\/div>\n <\/div>\n<\/div>\n\n

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\n\n \n \n \n Jingwen Li<\/a>\n \n \t\n\t \n \n \t\n\t \n \n \t\n\t \n \n \t\n\t \n \n \t\n\t \n \n \t\n\t \n \n \t\n\t \n \n \n\n\n\n <\/div>\n
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Jingwen Li<\/a><\/p>\n

New Tastes<\/p>\n <\/div>\n <\/div>\n <\/div>\n<\/div>\n\n

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\n
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\n\n \n \n \n Stephanie Li<\/a>\n \n \t\n\t \n \n \t\n\t \n \n \t\n\t \n \n \t\n\t \n \n \t\n\t \n \n \t\n\t \n \n \t\n\t \n \n \t\n\t \n \n \t\n\t \n \n \n\n\n\n <\/div>\n
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Stephanie Li<\/a><\/p>\n

ABC Sans<\/p>\n <\/div>\n <\/div>\n <\/div>\n<\/div>\n\n

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\n
\n\n Sophia Linden<\/a>\n\n \n\n\n\n <\/div>\n
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Sophia Linden<\/a><\/p>\n

Collection<\/p>\n <\/div>\n <\/div>\n <\/div>\n<\/div>\n\n

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\n
\n
\n\n \n \n \n Carly Lucas<\/a>\n \n \t\n\t \n \n \t\n\t \n \n \t\n\t \n \n \t\n\t \n \n \t\n\t \n \n \t\n\t \n \n \t\n\t \n \n \t\n\t \n \n \t\n\t \n \n \t\n\t \n \n \n\n\n\n <\/div>\n
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Carly Lucas<\/a><\/p>\n

Infectuated<\/p>\n <\/div>\n <\/div>\n <\/div>\n<\/div>\n\n

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\n
\n
\n\n Katherine Majeske<\/a>\n\n \n\n\n\n <\/div>\n
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Katherine Majeske<\/a><\/p>\n

McCanney Middle School Anime Club<\/p>\n <\/div>\n <\/div>\n <\/div>\n<\/div>\n\n

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\n
\n
\n\n \n \n \n Juliet Mandell<\/a>\n \n \t\n\t \n \n \t\n\t \n \n \t\n\t \n \n \t\n\t \n \n \t\n\t \n \n \t\n\t \n \n \t\n\t \n \n \t\n\t \n \n \t\n\t \n \n \t\n\t \n \n \n\n\n\n <\/div>\n
\n

Juliet Mandell<\/a><\/p>\n

Alpinight<\/p>\n <\/div>\n <\/div>\n <\/div>\n<\/div>\n\n

\n
\n
\n
\n\n Claire Manor<\/a>\n\n \n\n\n\n <\/div>\n
\n

Claire Manor<\/a><\/p>\n

The Reality of Fashion<\/p>\n <\/div>\n <\/div>\n <\/div>\n<\/div>\n\n

\n
\n
\n
\n\n \n \n \n Juan Marco<\/a>\n \n \t\n\t \n \n \n\n\n\n <\/div>\n
\n

Juan Marco<\/a><\/p>\n

For Love, of the Life, We Choose*<\/p>\n <\/div>\n <\/div>\n <\/div>\n<\/div>\n\n

\n
\n
\n
\n\n \n \n \n Valerie Matula<\/a>\n \n \t\n\t \n \n \t\n\t \n \n \t\n\t \n \n \t\n\t \n \n \t\n\t \n \n \n\n\n\n <\/div>\n
\n

Valerie Matula<\/a><\/p>\n

Unprecedented Tunes<\/p>\n <\/div>\n <\/div>\n <\/div>\n<\/div>\n\n

\n
\n
\n
\n\n Gwen McCartney<\/a>\n\n \n\n\n\n <\/div>\n
\n

Gwen McCartney<\/a><\/p>\n

An Object of Adventure<\/p>\n <\/div>\n <\/div>\n <\/div>\n<\/div>\n\n

\n
\n
\n
\n\n Maggie McConnell<\/a>\n\n \n\n\n\n <\/div>\n
\n

Maggie McConnell<\/a><\/p>\n

Creature<\/p>\n <\/div>\n <\/div>\n <\/div>\n<\/div>\n\n

\n
\n
\n
\n\n Justina McCormick<\/a>\n\n \n\n\n\n <\/div>\n
\n

Justina McCormick<\/a><\/p>\n

Memory Recalled<\/p>\n <\/div>\n <\/div>\n <\/div>\n<\/div>\n\n

\n
\n
\n
\n\n \n \n \n Douglas McDonald<\/a>\n \n \t\n\t \n \n \t\n\t \n \n \t\n\t \n \n \t\n\t \n \n \t\n\t \n \n \t\n\t \n \n \n\n\n\n <\/div>\n
\n

Douglas McDonald<\/a><\/p>\n

Naimbir<\/p>\n <\/div>\n <\/div>\n <\/div>\n<\/div>\n\n

\n
\n
\n
\n\n \n \n \n Maddie McFarland<\/a>\n \n \t\n\t \n \n \t\n\t \n \n \t\n\t \n \n \t\n\t \n \n \t\n\t \n \n \n\n\n\n <\/div>\n
\n

Maddie McFarland<\/a><\/p>\n

<\/p>\n <\/div>\n <\/div>\n <\/div>\n<\/div>\n\n

\n
\n
\n
\n\n Nicholas Mcintyre<\/a>\n\n \n\n\n\n <\/div>\n
\n

Nicholas Mcintyre<\/a><\/p>\n

Public Disruption<\/p>\n <\/div>\n <\/div>\n <\/div>\n<\/div>\n\n

\n
\n
\n
\n\n \n \n \n Megan McMurray<\/a>\n \n \t\n\t \n \n \t\n\t \n \n \t\n\t \n \n \n\n\n\n <\/div>\n
\n

Megan McMurray<\/a><\/p>\n

Guardian Angels Medical Service Dogs, Inc. - Identity System Rebrand<\/p>\n <\/div>\n <\/div>\n <\/div>\n<\/div>\n\n

\n
\n
\n
\n\n Lindsay Mintz<\/a>\n\n \n\n\n\n <\/div>\n
\n

Lindsay Mintz<\/a><\/p>\n

acharn\u00e9<\/p>\n <\/div>\n <\/div>\n <\/div>\n<\/div>\n\n

\n
\n
\n
\n\n Leila Mullison<\/a>\n\n \n\n\n\n <\/div>\n
\n

Leila Mullison<\/a><\/p>\n

Stop, Mo!<\/p>\n <\/div>\n <\/div>\n <\/div>\n<\/div>\n\n

\n
\n
\n
\n\n \n \n \n Alice Munro<\/a>\n \n \t\n\t \n \n \t\n\t \n \n \t\n\t \n \n \t\n\t \n \n \t\n\t \n \n \t\n\t \n \n \t\n\t \n \n \t\n\t \n \n \t\n\t \n \n \t\n\t \n \n \n\n\n\n <\/div>\n
\n

Alice Munro<\/a><\/p>\n

Transfigured Space: Pattern and Painted Bodies<\/p>\n <\/div>\n <\/div>\n <\/div>\n<\/div>\n\n

\n
\n
\n
\n\n \n \n \n Gwyneth Murray<\/a>\n \n \t\n\t \n \n \t\n\t \n \n \t\n\t \n \n \t\n\t \n \n \t\n\t \n \n \t\n\t \n \n \t\n\t \n \n \t\n\t \n \n \t\n\t \n \n \n\n\n\n <\/div>\n
\n

Gwyneth Murray<\/a><\/p>\n

<\/p>\n <\/div>\n <\/div>\n <\/div>\n<\/div>\n\n

\n
\n
\n
\n\n \n \n \n Maya Neideck<\/a>\n \n \t\n\t \n \n \t\n\t \n \n \t\n\t \n \n \t\n\t \n \n \t\n\t \n \n \n\n\n\n <\/div>\n
\n

Maya Neideck<\/a><\/p>\n

Dear Neurotypicals,<\/p>\n <\/div>\n <\/div>\n <\/div>\n<\/div>\n\n

\n
\n
\n
\n\n \n \n \n Yuki Obayashi<\/a>\n \n \t\n\t \n \n \t\n\t \n \n \t\n\t \n \n \t\n\t \n \n \t\n\t \n \n \t\n\t \n \n \t\n\t \n \n \t\n\t \n \n \t\n\t \n \n \t\n\t \n \n \n\n\n\n <\/div>\n
\n

Yuki Obayashi<\/a><\/p>\n

Chosen Skin<\/p>\n <\/div>\n <\/div>\n <\/div>\n<\/div>\n\n

\n
\n
\n
\n\n \n \n \n Riley Parrish<\/a>\n \n \t\n\t \n \n \t\n\t \n \n \t\n\t \n \n \t\n\t \n \n \t\n\t \n \n \t\n\t \n \n \t\n\t \n \n \t\n\t \n \n \t\n\t \n \n \n\n\n\n <\/div>\n
\n

Riley Parrish<\/a><\/p>\n

I see flesh.<\/p>\n <\/div>\n <\/div>\n <\/div>\n<\/div>\n\n

\n
\n
\n
\n\n \n \n \n Olivia Prado<\/a>\n \n \t\n\t \n \n \t\n\t \n \n \t\n\t \n \n \n\n\n\n <\/div>\n
\n

Olivia Prado<\/a><\/p>\n

In Between: este lado y el otro lado<\/p>\n <\/div>\n <\/div>\n <\/div>\n<\/div>\n\n

\n
\n
\n
\n\n \n \n \n Mac Realo<\/a>\n \n \t\n\t \n \n \t\n\t \n \n \t\n\t \n \n \t\n\t \n \n \t\n\t \n \n \t\n\t \n \n \t\n\t \n \n \t\n\t \n \n \n\n\n\n <\/div>\n
\n

Mac Realo<\/a><\/p>\n

What does it mean to be a man?<\/p>\n <\/div>\n <\/div>\n <\/div>\n<\/div>\n\n

\n
\n
\n
\n\n Josiah Rentschler<\/a>\n\n \n\n\n\n <\/div>\n
\n

Josiah Rentschler<\/a><\/p>\n

Your Fashion Sense Bugs Me<\/p>\n <\/div>\n <\/div>\n <\/div>\n<\/div>\n\n

\n
\n
\n
\n\n \n \n \n Sadie Reuter<\/a>\n \n \t\n\t \n \n \t\n\t \n \n \t\n\t \n \n \t\n\t \n \n \t\n\t \n \n \t\n\t \n \n \t\n\t \n \n \t\n\t \n \n \t\n\t \n \n \t\n\t \n \n \n\n\n\n <\/div>\n
\n

Sadie Reuter<\/a><\/p>\n

Bone Chair<\/p>\n <\/div>\n <\/div>\n <\/div>\n<\/div>\n\n

\n
\n
\n
\n\n Destini T. Riley<\/a>\n\n \n\n\n\n <\/div>\n
\n

Destini T. Riley<\/a><\/p>\n

Welcome to the Bull<\/p>\n <\/div>\n <\/div>\n <\/div>\n<\/div>\n\n

\n
\n
\n
\n\n \n \n \n Victoria Rinaldi<\/a>\n \n \t\n\t \n \n \t\n\t \n \n \t\n\t \n \n \t\n\t \n \n \t\n\t \n \n \n\n\n\n <\/div>\n
\n

Victoria Rinaldi<\/a><\/p>\n

Mestiza<\/p>\n <\/div>\n <\/div>\n <\/div>\n<\/div>\n\n

\n
\n
\n
\n\n Maggie Roback<\/a>\n\n \n\n\n\n <\/div>\n
\n

Maggie Roback<\/a><\/p>\n

The Lost Scene<\/p>\n <\/div>\n <\/div>\n <\/div>\n<\/div>\n\n

\n
\n
\n
\n\n \n \n \n Elise Robinson<\/a>\n \n \t\n\t \n \n \n\n\n\n <\/div>\n
\n

Elise Robinson<\/a><\/p>\n

<\/p>\n <\/div>\n <\/div>\n <\/div>\n<\/div>\n\n

\n
\n
\n
\n\n Jenna Scheen<\/a>\n\n \n\n\n\n <\/div>\n
\n

Jenna Scheen<\/a><\/p>\n

Upcycled Print<\/p>\n <\/div>\n <\/div>\n <\/div>\n<\/div>\n\n

\n
\n
\n
\n\n Karson Schenk<\/a>\n\n \n\n\n\n <\/div>\n
\n

Karson Schenk<\/a><\/p>\n

Colbert Ferry - Relationships to Lands in the Tennessee River Valley<\/p>\n <\/div>\n <\/div>\n <\/div>\n<\/div>\n\n

\n
\n
\n
\n\n \n \n \n Rhett Shepherd<\/a>\n \n \t\n\t \n \n \n\n\n\n <\/div>\n
\n

Rhett Shepherd<\/a><\/p>\n

The Working Clash<\/p>\n <\/div>\n <\/div>\n <\/div>\n<\/div>\n\n

\n
\n
\n
\n\n Margaret Sheridan<\/a>\n\n \n\n\n\n <\/div>\n
\n

Margaret Sheridan<\/a><\/p>\n

Nice to Meet You<\/p>\n <\/div>\n <\/div>\n <\/div>\n<\/div>\n\n

\n
\n
\n
\n\n \n \n \n Claire Smith<\/a>\n \n \t\n\t \n \n \t\n\t \n \n \t\n\t \n \n \t\n\t \n \n \t\n\t \n \n \t\n\t \n \n \n\n\n\n <\/div>\n
\n

Claire Smith<\/a><\/p>\n

Food For Thought<\/p>\n <\/div>\n <\/div>\n <\/div>\n<\/div>\n\n

\n
\n
\n
\n\n \n \n \n Ryan Sowulewski<\/a>\n \n \t\n\t \n \n \t\n\t \n \n \t\n\t \n \n \t\n\t \n \n \n\n\n\n <\/div>\n
\n

Ryan Sowulewski<\/a><\/p>\n

Rat City Collective<\/p>\n <\/div>\n <\/div>\n <\/div>\n<\/div>\n\n

\n
\n
\n
\n\n \n \n \n Sofia Stark<\/a>\n \n \t\n\t \n \n \t\n\t \n \n \t\n\t \n \n \t\n\t \n \n \t\n\t \n \n \t\n\t \n \n \t\n\t \n \n \t\n\t \n \n \t\n\t \n \n \t\n\t \n \n \n\n\n\n <\/div>\n
\n

Sofia Stark<\/a><\/p>\n

Quarantine by Design<\/p>\n <\/div>\n <\/div>\n <\/div>\n<\/div>\n\n

\n
\n
\n
\n\n \n \n \n Betsy Stubbs<\/a>\n \n \t\n\t \n \n \t\n\t \n \n \t\n\t \n \n \t\n\t \n \n \t\n\t \n \n \n\n\n\n <\/div>\n
\n

Betsy Stubbs<\/a><\/p>\n

I Hate Myself (Less)<\/p>\n <\/div>\n <\/div>\n <\/div>\n<\/div>\n\n

\n
\n
\n
\n\n Marin Tarnowski<\/a>\n\n \n\n\n\n <\/div>\n
\n

Marin Tarnowski<\/a><\/p>\n

<\/p>\n <\/div>\n <\/div>\n <\/div>\n<\/div>\n\n

\n
\n
\n
\n\n Konrad Tenwolde<\/a>\n\n \n\n\n\n <\/div>\n
\n

Konrad Tenwolde<\/a><\/p>\n

Hail X Grail<\/p>\n <\/div>\n <\/div>\n <\/div>\n<\/div>\n\n

\n
\n
\n
\n\n \n \n \n Madelyn VerVaecke<\/a>\n \n \t\n\t \n \n \t\n\t \n \n \t\n\t \n \n \t\n\t \n \n \t\n\t \n \n \t\n\t \n \n \t\n\t \n \n \t\n\t \n \n \n\n\n\n <\/div>\n
\n

Madelyn VerVaecke<\/a><\/p>\n

Aggressively Human<\/p>\n <\/div>\n <\/div>\n <\/div>\n<\/div>\n\n

\n
\n
\n
\n\n \n \n \n Ethan Walker<\/a>\n \n \t\n\t \n \n \t\n\t \n \n \t\n\t \n \n \t\n\t \n \n \t\n\t \n \n \n\n\n\n <\/div>\n
\n

Ethan Walker<\/a><\/p>\n

Non-Profit Branding with Purpose<\/p>\n <\/div>\n <\/div>\n <\/div>\n<\/div>\n\n

\n
\n
\n
\n\n Elizabeth Ward<\/a>\n\n \n\n\n\n <\/div>\n
\n

Elizabeth Ward<\/a><\/p>\n

Self-Organism<\/p>\n <\/div>\n <\/div>\n <\/div>\n<\/div>\n\n

\n
\n
\n
\n\n Taryn Wilcher<\/a>\n\n \n\n\n\n <\/div>\n
\n

Taryn Wilcher<\/a><\/p>\n

A Familiar Captivity<\/p>\n <\/div>\n <\/div>\n <\/div>\n<\/div>\n\n

\n
\n
\n
\n\n \n \n \n Ally Winn<\/a>\n \n \t\n\t \n \n \t\n\t \n \n \t\n\t \n \n \n\n\n\n <\/div>\n
\n

Ally Winn<\/a><\/p>\n

Colors of my Childhood<\/p>\n <\/div>\n <\/div>\n <\/div>\n<\/div>\n\n

\n
\n
\n
\n\n \n \n \n Jack Zhao<\/a>\n \n \t\n\t \n \n \t\n\t \n \n \t\n\t \n \n \n\n\n\n <\/div>\n
\n

Jack Zhao<\/a><\/p>\n

Muse Streetwear by Jack Zhao<\/p>\n <\/div>\n <\/div>\n <\/div>\n<\/div>\n<\/div><\/div>[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"

Please Stand By: The 2021 Stamps School Senior Exhibition Please Stand By: The 2021 Stamps School Senior Exhibition is a digital celebration of the cumulative projects from students in the Stamps School\u2019s Integrative Project and Stamps Senior Studios courses. The exhibition features work in a range of media by BA, BFA, and Interarts Performance students. […]<\/p>\n","protected":false},"author":3,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"class_list":["post-43","page","type-page","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.stampsgrads.org\/classof2021\/wp-json\/wp\/v2\/pages\/43","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.stampsgrads.org\/classof2021\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.stampsgrads.org\/classof2021\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.stampsgrads.org\/classof2021\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.stampsgrads.org\/classof2021\/wp-json\/wp\/v2\/comments?post=43"}],"version-history":[{"count":0,"href":"https:\/\/www.stampsgrads.org\/classof2021\/wp-json\/wp\/v2\/pages\/43\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.stampsgrads.org\/classof2021\/wp-json\/wp\/v2\/media?parent=43"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}